Review: Operus – Score Of Nightmares
Pride & Joy Music (June 19th 2020)
Reviewer: David Pearce
Operus are a six piece group from Canada who come from a range of backgrounds that encompass classical music, heavy rock and stage musicals. With that range of backgrounds and influences they promised to be a very different group from the ones I usually review. Their second album ‘Score of Nightmares’ is an album that took nearly a year to make.
The first track ‘Overture of Madness’ sounds like the theme for a fantasy film with a swelling military feel to the tune that ends with chanting in a Lord of the Rings style.
‘Phantasia’ sounds much more like a traditional rock track with a driving guitar, urgent drumming and a tune that just builds and builds. The singing is suitably operatic and the whole effect reminds me of an upper class Iron Maiden! It is like a show tune and a bombastic Queen song rolled into one.
‘Lost’ starts with a string section, unusually for a heavy rock track, but this gives way to a drum solo followed by a verse that is reminiscent of ‘Be Quick or Be Dead’.
‘Dance with Fire’ begins with a Roy Bittan style piano solo which is joined by strings and finally a vocal that barely rises above the music. Then it moves into a section that sounds like the ‘Bismillah’ part from Bohemian Rhapsody. By this stage it is clear that Operus will throw everything at the music including the kitchen sink, which is no doubt being played somewhere in the background!
‘Echoes’ is a classical piano piece that reminds us of the conservatory background of some of their members. ‘Where Falcons Fly’ returns to the heavy rock arena as they move once again into Iron Maiden territory. It is never clear where any of the tunes will go next which is what keeps them interesting. The group have so many styles and so many musical skill sets that they can literally go in any direction.
‘Nightmares’ has a spoken word intro that is pure Jim Steinmann and a vocal that sounds like a horde of Vikings in Valhalla! ‘Book of Shadows’ starts off sounding like Mussorgsky’s Night on a Bare Mountain, before moving into a heavy metal tour de force. It then builds into a soundscape of screaming guitars and thundering percussion.
‘The Mirror’ is a song that would fit nicely into a Rocky Horror style musical. As with everything else on this album the usual rules of good taste go out of the window and the effect is irresistible.
The penultimate track ‘Ruin’ turns the levels of bombast up to 11 as Operus build towards the final crescendo.
Final track ‘La Llorona’ is an epic that starts in the style of Queen before heading to the West End stage as it begins to resemble Europe style hair metal as sung by the cast of Les Miserables before giving way to a frantic guitar solo. Its clash of styles continues with the flamenco style guitar from ‘Innuendo’. The final section fittingly starts with another screaming guitar solo and an operatic vocal that just builds and builds until the record ends with a soft scream!
This is a completely off the wall album that includes all the most theatrical elements of Queen and Meatloaf but combines it with a mix of classical and rock musicians at the top of their game. It is utterly bonkers but just go with it and you’ll be carried along until you finish the album with a grin on your face.