Hot off from winning Hard Rock Hell’s “Blues Artist of the Year” award and following hot on the heels of his recent singles ‘Come On‘, ‘Gasoline‘, and ‘Sweet Carolina‘, Troy Redfern will release the fourth single Mercy from his critically acclaimed album ‘The Wings of Salvation‘ (review here) on Wednesday November 16, 2022.
The official music video for ‘Mercy‘ premieres on YouTube on Wednesday November 16th.
The new single can be streamed, and the new album ‘The Wings of Salvation‘ can be ordered digitally, on CD or limited edition yellow & red splatter vinyl from: here.
The album is available on CD and limited edition yellow and red splatter vinyl formats, plus various bundles from the official Troy Redfern shop – https://troyredfern.com/shop.
Kicking off with a vintage slide riff that sounds like it came straight off a beat-p 45 rpm single, ‘Mercy‘ explodes into a Technicolor soundscape of rock ‘n’ roll euphoria.
‘Mercy‘ is expertly laid down by drummer Paul Stewart (The Feeling) and bass guitarist Dave Marks, creating a pulverising backdrop for Troy’s grinding, Les Paul guitar fretboard fireworks. Themes of love gone bad permeates this haunting blues rocker, building up to one of Troy’s most explosively intricate guitar solos to date.
Produced by Dave Marks (Hans Zimmer) at the UK’s Dulcitone Studios, ‘The Wings of Salvation‘ is an exciting new chapter in Redfern’s trajectory, not only as a slide guitarist, but as a creative force in the recording studio.
“My goal was to make a record that was a true representation of where I am right now as an artist,” says Redfern. “I wanted to create something in the spirit of the old school classic rock albums that I grew up listening to.”
After releasing an unprecedented six albums in just under two years, Troy’s new album ‘The Wings of Salvation‘, is his most compelling work to date. The album highlights Redfern’s powerfully edgy vocal delivery, condensed song writing skills, tight arrangements, complimented by his trademark “firebrand” slide guitar playing.
“I felt like the time was right to head back into the studio as the creative juices were flowing,” says Redern. “On the new album, I wanted to approach the recording process by starting with a completely clean slate.”
I wrote the new album from scratch in just under five weeks, in the same way that the bands that I grew up listening to use to do. It makes everything fresh and immediate. It’s an accurate snapshot of where you are as an artist at that moment.”
Says Troy, “Dave Marks and I also decided early on we wanted an old school aesthetic for this album, in that we wanted no studio fixes, no autotune, no drum editing or samples. It had to be real, with only complete takes, no chopping up parts in post-roduction to make them sound perfect. We wanted an album that authentically captured my sound. I feel satisfied in knowing that we achieved what we set out to accomplish, and I couldn’t be prouder of this album.”
“My 1935 Dobro resonator features heavily on the new album along with my Magnatone Twilighter amplifier,” reflects Redfern. “I found this to be a killer combination. It’s such a huge tone without the need for layers and layers of guitar tracks.”
For drum duties Dave enlisted the skills of Paul Stewart, the drummer from chart toppers The Feeling. Troy says, “Dave felt that Paul was the perfect fit to play drums on this album. He connected with my new material and took it to another level.”
“It was important for me to get the right drum sound for this album as that’s the foundation everything else is built on,” recalls Redfern. “I wanted a more three-dimensional, ‘open’ sound for this record.”
We used Lee Russell’s Dulcitone Studios in Kettering to track the drums, which is a beautifully converted church, and it has the most amazing natural reverb sound. The results are astounding. On the new album we’ve managed to take the production to the next level.”
“Mastering is an important part of making a great sounding record” explains Troy. “Abbey Road Studios was the only option. It has the gold-tandard reputation for the best mastering facilities in the world. I decided that Sean Magee would be the perfect choice to master the new album. His credentials include the Beatles, Deep Purple, John Lennon, the Ramones, Tina Turner, Sex Pistols, Rush, and Iron Maiden. He turned out to be an excellent choice. He gave the album that gorgeous shine Abbey Road is renowned for.”
1. Gasoline (3:53)
2. Sweet Carolina (3:54)
3. Come On (3:50)
4. Navajo (3:24)
5. Mercy (4:06)
6. Can’t Let Go (4:21)
7. Dark Religion (3:20)
8. Profane (3:00)
9. Down (3:30)
10. Heart & Soul (3:47)
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