Review: Blindstone – Deliverance At The Crossroads

Review: Blindstone – Deliverance At The Crossroads

Grooveyard Records (Dec 10th 2019)

Reviewer: Dan Mann

Well I’ve never hidden my appreciation of the music of Danish blues rockers Blindstone, far from it, a band seldom off my music rotation since I first encountered them quite by chance on Grooveyard Record‘s website.

Since that time the band have released in total nine albums if you include their newest ‘Deliverance At The Crossroads‘. Guitarist / lead singer Martin J. Anderson is one of the most underated guitarists in Europe who is capable of playing not only blues rock but has branched out into hard rock & heavy metal with other bands & projects.

With the bass guitar of Jasper Bunk and tub thumper Sigurd Jøhnk-Jensen making up the other two thirds of the band, this trio have amply captured in my mind the very essence of blues rock, namely, heavy, dirty groove riffs that demand you crank that damn volume knob right up and wallow in the soundscape now pounding from your speakers or cans!

From the opening notes of ‘World Of Trouble‘ your pinned against the wall, realising your in for an absolute audio treat. When comparing ‘Deliverance At The Crossroads‘ with the band’s previous albums there is a definite leaning towards that rockier, dirty end of the blues rock spectrum, an area I like to dwell in, an area that you’ll also find the likes of that man from Hell, Michael Katon, an area quite happy to stick two fingers up to ‘traditional blues’ and just crank and play.

While there isn’t a poor track on the album, there are always going to be tracks that either stand out or just make that connection.

One is the title track ‘Deliverance At The Crossroads‘. It’s just over 4 1/2 minutes of instrumental glory, a track  that just envelopes you in that afor mentioned soundscape. The guitar playing stands up against any of Martin’s peers.

Two track not out of place on a hard rock album. ‘What I Want‘ and ‘Olympus‘ pound and scream, with a heavy guitar sound and frantic bass and drums it’s almost headbanging material.

And ‘Dove‘ with it’s mixture of acoustic and electric guitar beautifully woven, creating a wonderful foot tapping end to what is a superb release.

This for me is potentially a cross over album, appealing to blues rock and rock fans alike. With the band making a welcome return to Ramblin’ Man festival next year here’s hoping they get the recognition they so justly deserve.

 

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