White Widdow return with a new album ‘Victory‘ out on the AOR Heaven label and the follow up to 2016’s ‘Silhouette‘, the Aussie melodic rockers are becoming more prolific as the years pass and that’s no bad thing. Brothers Xavier and Jules are once again heading affairs alongside the excellent Enzo who’s guitar work all over this album is up to the usual exemplary standard. With the now super solid backdrop of Ben (bass) and Gavin (drums) we get a unit that works so smoothly together, it’s great to see and hear.
The musical style here is very much AOR/Melodic Rock, and they are damn good at crafting quality classic rock songs, always full of melodies and hooks, and as you’d expect really strong soaring guitar solos and at times really punchy keyboards, just take a listen to ‘America‘ pops right up and attempts to raise your arms in the air.
Having listened to the album a lot over the last few weeks some of my first impressions now seem quite wide of the mark, and that’s something that worries me in the modern age, how many albums get passed on if a song doesn’t immediately bowl you over, living with music in your head and heart for a while is always a good idea, and this is another one worth allowing to sink in.
Of the ten here the highlights are undoubtedly the single ‘Second Hand Heart‘ which is just a cracking song, the title track ‘Victory‘ that opens affairs is another and magic of ‘Danced In The Moonlight‘ which for me has a bit of a Rick Springfield into, as everywhere else Xavier’s keyboards are such an integral part of the music, and it’s the same with all of the instruments here, everything gets warmly wrapped around each other, and all for the greater good of the sound, this song is just beautiful five minutes and forty seconds of pure class.
Perhaps initially I thought more fast paced tracks in the mix here somewhere would add a little something, but no, the mix is great and this is another really good album from White Widdow, the band are as solid as ever, Jules is sounding great and the songs once again are very well written and put together, there is a maturity covering this one and it should go down well in all corners. Another one to get stuck into in what seems to be a strong end to a strong year for Melodic Rock.
2018 has seen White Widdow re-enter the studio, celebrating ten years since the band began and an album cover that throws back to the style of their debut. ‘Victory‘ incorporates a strong Pomp element in the songs along with White Widdow‘s traditional classic 80’s AOR sound, the band allowing their influence of bands like Giuffria and White Sister to really come through. Featuring over the top pompus keyboards, stacked harmony vocals from the Millis brothers and Enzo Almanzi’s tasty solos throughout. White Widdow are set to perform at Rockingham in the UK in support of the new album, followed by a tour through Spain, Greece and their native Australia.
The band is still being led by the Millis brothers, Xavier (Keyboards) and Jules (Vocals), alongside the always impressive Enzo Almanzi (Guitar), and the ever so solid rhythm section of Ben Webster (Bass) and Noel Tenny (Drums), it’s a band I’ve always really liked, the last album Crossfire was excellent so high expectations for this latest release. Ten tracks of pure Melodic Rock goodness here, with some really terrific tracks, in particular ‘Game Of Love‘ that gets you moving and has a nice pace to it, what might seem like a pretty straight forward track in ‘Surrender My Heart‘ but it’s got a great balance to it and a slightly deeper and darker ballad in ‘Damage Done‘ which has a bit of a different feel to it to the rest of the album, but it still fits really well here.
This band has definitely hit their stride with this lineup, the songs on this album will definitely come alive when the band hit a stage, there is, as with Crossfire lots of guitar solos, some fiery playing, but it never overpowers the rest of the playing here, as always the keyboards are as much in the mix and sound great.
One thing on the version of the album I have been listening to that I just can’t seem to get past is a Mobile Phone vibrating on track ‘Waited‘ which is a bloody good track, but sitting on a bus I think it’s a phone someone has left on and ignored and it just shouldn’t be there, I try to ignore it, but now every time I play the track subliminally you just wait to hear that and it detracts from the song, which has a great hook and some terrific guitar work. Really hoping it isn’t on the final release and it got picked up by someone, but 12 seconds of annoying buzzing takes a bit from the song, that’s for sure.
Overall it’s another really good Melodic Rock album, well written and performed, these guys have a formula of their own that just seems to work really well, balance maybe a little bit on the slower side on this release, but it still works very well. Hopefully they will make their way back over to the UK soon to give these new tracks an airing in a live setting.
Australian Hard Rockers White Widdow will return with their fourth album ‘Silhouette‘ on AOR Heaven on November 25th, 2016, just right in time for their performance at H.e.a.t. Festival in Ludwigsburg on the following weekend.
Formed in Melbourne, Australia in 2008 and centered around the Millis brothers Jules (Vocals) & Xavier (Keyboards) with Guitar virtuoso Enzo Almanzi. Raised on a healthy diet of 80’s Arena Rock and influenced by artists such as Survivor, Dokken, Night Ranger, White Sister & Giuffria.
In 2010 White Widdow stormed onto the Melodic Rock scene across the globe with the release of their self titled debut album, filled with swirling keyboards, blistering guitar playing and big choruses. The release of the debut was met by the press with rave reviews making it into Classic Rock Magazine’s top 10 AOR albums for 2010. Hot on the heels of their debut, White Widdow quickly returned with their follow up release ‘Serenade‘ in September 2011.
In support of ‘Serenade‘, White Widdow hit the road playing festivals and headlining club shows throughout Europe which saw them tour through Switzerland, Germany, Sweden, Italy, Greece and England. Along the way performing at HEAT Festival (Germany) and Firefest (UK). This was followed in 2012 with a full tour of the UK as support band to English melodic rock band TEN.
After the unfortunate death of drummer George Kristy in 2013 and the departure of original bass player Trent Wilson, the Millis brothers and Almanzi regrouped with a rejuvenated new line up, featuring Ben Webster on Bass and Noel Tenny on Drums. The new line up released their third album ‘Crossfire‘ in late 2014
In support of ‘Crossfire‘, White Widdow returned to tour the UK and Greece, as well as performing in Spain for the first time in 2015.
In early 2016 the Millis brothers began writing for what would become White Widdow’s fourth album “Silhouette”, setting out to capture the mid to late 80’s AOR sound, even more so than on previous White Widdow albums. The Millis brothers also teaming up with Almanzi, Tenny and Webster for some slightly more hard edged songs.
The Melodic & Hardrock Festival – to be held at the famous Rockfabrik club in Ludwigsburg/Germany (near Stuttgart) will be a two-day-event for the first time. The 7th edition of the festival introduces an impressive international line-up with some artists who haven’t played in Germany for a long time or even have never performed here before!
Besides the headliners Pink Cream 69 and Eclipse, the event will mark the German solo live debut of Danger Danger lead vocalist Ted Poley and former Alice Cooper guitarist Kane Roberts. US singer Mitch Malloy will be happy to party with his German fans for the first time since 1991!
The billing will be completed as follows:
Reckless Love, White Widdow, Johnny Lima, Houston, Hartmann, Zar, Romeo’s Daughter, Miss Behaviour, Stop Stop, Maverick & Hungryheart.
Tickets for the event are available only through the festival website and the mail order company AOR Heaven.
Hard Rock Hell AOR has grown as an event since its launch in 2013 at the Magna Centre in Rotherham. I thought this venue was excellent but it caused a lot of logistical problems for organisers Chic Talent. Therefore, last year they moved it to the spiritual home of HRH at Hafan Y Mor in Pwllheli, North Wales. While maybe not quite having the quirkiness of the Magna, the venue delivers an excellent experience. The festival is in essence a two day festival and day 0 is a party night on the Thursday evening. Unfortunately due to a combination of travelling and some very fine single malt whisky, I only managed to see the last two bands.
I caught Angels or Kings (AOK) set and the guys were running through songs from the debut album Kings of Nowhere. For me what really sets AOK apart from the competition is vocalist Barrie Jackson’s rasping but melodic vocals. The sound out front was poor but the band rocked along and certainly seemed to be enjoying themselves, and deservingly got a good reception.
Headline act for the party night were Serpentine who also played at the inaugural 2013 event. However, they seem to have undergone some lineup changes since then. They now sport vocalist Adam Payne in the place of Matt Black. These guys also suffered a poor out front sound but new singer Payne is certainly impressive and carries some of the mediocre songs. Admittedly I am not overly familiar with Serpentine’s back catalogue but the song quality was a little inconsistent but the performance sound and gain they deserved the reception they got on the night. Both bands I would think will have done themselves little harm with their respective shows.
And so to the festival proper! Due a late breakfast shared with the wonderful Ashcrofts and a brisk walk on the beach being required to shake off the single malt after effects, I didn’t get to the main stage until just before Kingdragon from Greece hit the stage. They certainly came across as polished musically sounding a little progressive in places. They had some decent songs, the best of which for me was ‘Dreams are Broken’ (if my sketchy notes are right).
These guys were followed by Night by Night who had lost their vocalist and seem to be making an unfortunate habit of this! They need to be more careful. New Device vocalist Daniel Leight stepped into the breach and I don’t know how much preparation he had, but I thought he did a sterling job. He proved to not only have a great voice, but also to be a great frontman. The guys ran through a set of great British melodic rock with some great individual guitar contributions and some great harmony guitar work. Not being familiar with the material, most of it was grabbing me on the first listen and I need to check these guys out more.
Although looking forward to Vega, by this time hunger and thirst pangs had got the better of me and I missed these guys (much to my annoyance) and The Poodles, whom I have managed to live without my entire life so far with little impact.
I returned to the main area to catch Starz, more out of AOR curiosity I must admit, as the owner of their 1979 effort Coliseum Rock. More novelty value than anything else, the guys looked like they were having an absolute blast running through material older than some of the audience. They certainly brought something different to the day and live renditions of their material only served to remind more of the Kiss influence! More for AOR geeks, I don’t think they quite fitted the audience and/or event.
Next up were Dare, whom I must confess I have never been a huge fan of. However, the mix Celtic influenced rock and AOR on the night really worked for me with Darren Wharton gently wooing the audience and Vinny Burns smacking them round the head with his guitar playing and even playing the second half of the set with a Flying V. It did get a little too Celtic in the middle but they kicked up a gear with songs from the first album including the awesome Abandon, Into The Fire, The Raindance, and King Of Spades in quick succession. A superb set and lead us quite nicely the next act.
Who were of course Swedish rockers H.E.A.T Having seen these guys three times in the last two years they have got to be one of the most consistent acts on the circuit and you just know what you are getting. These guys just rock and opened with Point of No Return and drew predominantly on the set for the Live in London album. This included mostly songs from albums Address The Nation and Tearing Down The Walls as well as some earlier songs. The sheer energy from these guys is phenomenal, especially singer Erik Gronwall who bounces about like Tigger on acid and never misses a beat or a note in his performance. They provided an accomplished and energetic set and it makes me wonder why these guys aren’t even bigger than they are. My only complaint on the evening was it seemed incredibly loud and distorted, but maybe I am just getting too old for this stuff! Certainly set us up nicely for the Saturday!
By the time this old guy got his act together and got down to the AOR hall, Australian act White Widdow were hitting the stage. Jules Mills seemed to be struggling a little vocally, but when he hit his stride he was good. In addition, I thought he was a pretty awesome frontman and showing some real flashes of humour, especially his comment about the Poodles talking about traveling so far which went along the lines of ‘try coming from Australia’! Guitarist Enzo Almanzi proved to be no slouch either. Add to that for me these guys were the first genuine AOR band I had seen all weekend, I thought they were great. Drawing from their three albums, with some new songs from the Caught in the Crossfire album I thoroughly enjoyed the set and look forward to seeing these guys again the next time the hot these shores.
Next up were hot melodic hard rock sensations Eclipse. Now I totally get just how talented Eric Martenson is in terms of vocals, guitars, songwriting and production, but it just doesn’t work for me I am afraid. Excellently executed by superb musicians, it just leaves me cold and sounds a little fabricated. I know that will make me the odd man out, but music is subjective and not objective and I left after four songs to grab some food.
I returned to catch Houston’s set which I was looking forward to. The band has undergone a line-up shuffle and Hank Erix has come in for some criticism for his live performances. For me the only disappointing aspect was the size of the crowd! These guys were the bona fide AOR band of the weekend and played a superb selection of polished songs from both their original and cover albums. Favourite for me by far was Return My Heart but the guys have superb cache of original songs. They maybe played more covers in the set but the standout cover for me was Carrie from Michael Bolton’s first solo album. It truly showed how accomplished Hank is as a vocalist and the new single Standing on the Moon bodes very well for the next album – just hurry up and get it out Hank!
I ducked out of Romeo’s Daughter to suitably refresh myself before returning for the mighty FM. Having just realised what I consider to be their best album since Indiscreet I was looking forward to this immensely. Like H.E.A.T these guys always deliver and you know what you are getting. However, as if it were even possible, they have got even better live. Steve Overland who is most definitely ‘the Man’ seems to have accepted he is the band frontman and has started putting down his guitar to great effect. Really engaging with the crowd has taken FM’s live performances to another level. I also happen to think that Jim Kirkpatrick presence in the band is now really being felt live. He brings an edgy, blusier feel to live sound and really adds something to the mix. Perhaps the Man’s confidence in his ability is one of the reasons he feels comfortable after all these years being the Man at the front. Absolutely, gob-smackingly marvellous they were! Rumour even has it that Night Ranger closed down the back stage area so they could watch FM!
And as for Night Ranger themselves, well I witnessed possibly the best display from any band at HRH AOR since its inception. Considering how long these guys have been about, the energy from them was amazing. Jack Blades was all over the place and Brad Gillis had such a manic smile on his face he could be the Joker in a Batman movie – and what an awesome player! The band has recently been joined by Keri Kelli from Alice Coopers touring band and he fits in perfectly both musically and personality-wise. And he is no slouch either, giving Brad as good as he got! Kelly Keagy steps from behind the drums to sing a couple of songs and his voice seems to be even better than it was in 80s/90s. Playing mainly songs from the first 4/5 albums and of course the new album, the guys threw in a couple of curve balls covering their other projects including Damn Yankees and Alice Cooper’s Schools Out and Ozzy Osbourne’s Crazy Train. While some might question throwing these in, it all just added to the absolutely awesome party atmosphere the guys created and they give the kind of professional kick-ass display you would expect of a band with 35 years plus experience. And of course, closing with You Can Still Rock in America – how can you fail to be impressed! Superlatives fail me! Night Ranger were indeed fitting closing act for another great HRH AOR weekend.
Well done Chic Talent and I look forward to next year already!
HRH AOR 3 announces more bands including the welcome return of excellent Swedish rockers H.E.A.T, who seem to be going from strength to strength at the moment with the release of their new album ‘Tearing Down The Walls’.
HRH AOR 3 are also pleased to announce the addition of other acts including Romeo’s Daughter, Houston, White Widdow, Kingdragon, Rage Of Angels, Night By Night, Fahran and Daylight Robbery who all join San Francisco rockers Night Ranger plus FM, Dare, The Poodles and many more.
HRH AOR 3 takes place at Hafan Y Mor in North Wales from the 12th-15th March.
For those of you that need a reminder of H.E.A.T
Acts confirmed so far HRH AO3:
Rage Of Angels
Night By Night
For more details and the last remaining handful of tickets call Fleur on call on 0203 287 6684