Paul Gilbert will re-release his 1991 album ‘Tribute to Jimi Hendrix‘ on June 12th via Music Theories Recordings to celebrate its 25th Anniversary, marking the album’s first official digital release.
Listen to the first track, ‘Purple Haze‘.
It’s the album that almost never was, or never should have been. Picture the scene, it’s June 2nd 1991 and Paul Gilbert was invited to the Frankfurt Jazz Festival in Germany to trade a few solos with Albert Collins, who was headlining the festival.
At the time Gilbert was riding high with Mr Big and ‘Lean Into It‘ had not long been released. “I was already in Europe, finishing up a Mr. Big tour, so the travel would be easy. I said, “Yes!,” Gilbert says.
However, shortly after arriving at the venue, Gilbert learned that Collins had suffered a sudden health issue and would be unable to perform.
“The promoter was panicking and asked me to be the headlining act instead,” Gilbert says. “I didn’t have a band with me. And I didn’t have any solo material prepared.”
The promoter quickly assembled a backing band using the bassist and drummer from Ten Years After, the group led by Alvin Lee, who were also appearing at the festival.
It was only hours before showtime. “The only thing I could think to do was to quickly rehearse some Jimi Hendrix songs, and make the solos long enough to fill up a whole set. I told the promoter, “We only have time to learn 5 songs, so I’m going to have to play REALLY LONG SOLOS.” The promoter said, “It’s a jazz festival! That will be great!”
So the band and Paul jumped into rehearsal, and a couple hours later, did the show with scorching renditions of ‘Red House’. ‘Hey Joe‘, ’Highway Chile‘, ‘Midnight’ and ‘Purple Haze’ – “It turned out great,” he says. “I don’t think I’ve ever played such long solos in my life!”
Talking about the spontaneity of the situation he says, “The panic that comes from just trying to SURVIVE an unexpected musical situation can bring things out of a musician that would never happen if everything was rehearsed and planned out. As AI figures out how to make perfect productions, it might be a human being’s reaction to unexpected twists and turns that are the most interesting to listen to. At the same time, I do like to have some rehearsal with my band before a tour if I can get it!”
“Around that time, I also had a cover band called, The Electric Fence with my friends Jeff Martin and Russ Parrish. When I would get home between Mr. Big tours, Jeff, Russ and I would make a list of 25 songs and challenge ourselves to see if we could learn them in a week. Then we’d do a gig. Most of the songs were Hendrix, Beatles, David Bowie, etc. and I did quite a bit of the lead singing. So hopping up on stage with little preparation was something I was used to and enjoyed a lot!!”
Discussing Hendrix’s enduring influence, Gilbert adds: “Jimi’s songs are such great vehicles for jamming. His writing invites musicians to play with each other and listen to each other. The songs are flexible enough to allow musicians to keep their own style and still make the song work.”
Despite initially feeling worried that a ‘Tribute To Jimi Hendrix‘ feels like an important mission that should take lots of time to prepare and produce, Gilbert now believes the spontaneity of the performance captured the spirit of Hendrix more authentically.
“In the end, the pressure of pulling everything together quickly in front of an audience—and being worry-free about endless guitar jamming—may actually have brought me closer to Hendrix’s spirit than if I had planned everything while sitting in a chair,” he says.
‘Tribute To Jimi Hendrix‘ will be available on the 12th of June.
Tracklisting:
- Red House
- Hey Joe
- Highway Chile
- Midnight
- Purple Haze
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